METAPHYSICS OF THE URBAN LANDSCAPE / Piemontesi
(…) Ciò che mi interessa, sono gli effetti della metafisica nel nostro pensiero di europei, nel nostro approccio alla vita. Mi interessa la predisposizione al superamento delle apparenze. E questo in arte, in fotografia, significa “andare oltre” i confini fisici dell’opera stessa. Significa riconoscere che il significato non si esaurisce in ciò che vediamo.
(…) Ho intrepretato gli scenari urbani di alcune grandi città europee, con le loro evidenti differenze architettoniche, sociologiche e culturali; ma con il fermo obiettivo di restituire alle immagini finali, quella “dimensione metafisica” che ho tentato di introdurre poco fa.
Il risultato e i contenuti di questa ricerca non sono esclusivamente racchiusi nelle immagini in cui si concretizza il progetto, ma nel modo in cui tutti noi potremo guardarle, completarle, interpretarle filtrandole con la nostra soggettività, con il nostro background culturale, e con tutte le domande, i dubbi, le fantasie che ne conseguono. Il fine ultimo del mio lavoro non è quello di fornire semplicistiche risposte alla questione che ci siamo posti (l’identità europea), ma è quello di prendere coscienza della complessità interpretativa, di origine metafisica, che ci accomuna nel nostro approccio all’arte e alla vita. (…)
(da “Metafisica del paesaggio urbano”, discorso di presentazione presso la Casa della Fotografia di Amburgo, 10 Maggio 2011)
(…) What interests me is the effect of the methaphysical in our thoughts and on our approach to life. This, in art as well as in photography, means going beyond, it means (that) the meaning and deep essence don’t stop with what we see.
I have interpreted urban scenes of some Metropolis, with their obvious architectural, sociological and cultural differences, but with the firm objective to give back to the final image that specific “methaphysical dimension”. I would like to state that the result and contents of my research will not end in the images in which my project is embodied but in the way we could all look at them, filtering them with our subjectivity, with our cultural background, with all the questions, doubts, imagination which follow. The last aim of my artistic research is not that of supplying simple answers to the European Identity theme, but that of becoming aware of the complexity of metaphysical origin, which unites us in our European approach to both art and life. (…)
(from the “Metaphysics of the urban landscape”, presentation speech at House of Photography, Hamburg, 10.05.2011)
The European Photo Exhibition Award – epea for short – aims to create a free space where socially relevant topics concerning Europe are developed and discussed by talented young European photographers. The twelve appointed photographers will translate their observations, analyses and statements on a set and socially relevant subject into a photo essay. The results will be presented in a joint touring exhibition within Europe.
The award focuses on talented photographers who live and work in Europe and who still are at an early stage of establishing themselves as professional photographers. The twelve appointed photographers receive a grant and will participate in two workshops. These offer them the opportunity to work together with experts on the chosen topic and to exchange views and share working methods with the other European photographers and the four curators. Finally, the touring exhibition throughout top exhibition venues and festivals such as Paris Photo gives the upcoming photographers the chance to present themselves at a prestigious location.
This initiative by the Fondazione Banca del Monte di Lucca (Italy), the Fundação Calouste Gulbenkian (Portugal), the Fritt Ord Foundation (Norway) and the Körber-Stiftung (Germany) aims to contribute to and to intensify dialogue within Europe. It also wants to support young European photographers at the beginning of their careers by providing international facilities. All four partners commit themselves to this philosophy and welcome other foundations from other European countries to join this project as the European space should be represented by as many countries and views as possible.
The European Photo Exhibition Award 01 focused on the question of “European Identities”. The first exhibition opening at the Haus der Photographie in the Deichtorhallen Hamburg was held in May 2012 and will be followed by further shows in Paris during Paris Photo 2012, Lucca during Lucca Photo Fest 2012 and Oslo in 2013.
SERIES: “PIEMONTESI. Metaphysic of the Urban Landscape”
TECHNIQUE: Fine Art “Gliclée” print on cotton paper
EDITION: 9 + 2 artist prints (variable size)